1、新疆師范大學(xué)碩士學(xué)位論文心象與現(xiàn)代水墨人物畫姓名：韓志強(qiáng)申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：美術(shù)學(xué)指導(dǎo)教師：康書增2011-03-10III Abstract In modern times, with the impact of Western culture frequently training methods of Western painting, sketching the introduction to the Chinese fi

2、gure painting figure painting as the main face of Western painting techniques of system performance from the ideological content of the full impact on the one hand, in the shape and form of expression Aspects be great

3、ly improved, but on the other hand followed by the gradual weakening of ink figure painting language, the result is the spirit of Chinese ink painting tradition of the loss, but with social development and change, with

4、 the traditional cultural identity and the cool thinking, Part of the elite to keep a cool head and good sense, and gradually to focus more on the development of Chinese painting in the tradition of Chinese painting i

5、tself be traced by to the traditional culture in contemporary Chinese painting for the development of the spiritual support and reasonable direction. This article reveals the “heart like the“concept, quality and aesth

6、etic nature, and the “mental image“ of the Oriental aesthetic characteristics and painting value, the system described mental imagery and artistically; mental imagery and style, pen and ink; mental imagery and painting m