1、 學(xué)校代碼：10270 學(xué)號(hào)：132200294 碩 士 學(xué) 位 論 文 語(yǔ)言、詩(shī)歌與創(chuàng)新：瑪喬瑞?帕洛夫《詩(shī)學(xué)新解》研究 學(xué) 院 ： 外 國(guó) 語(yǔ) 學(xué) 院 專 業(yè) ： 英 語(yǔ) 語(yǔ) 言 文 學(xué) 研 究 方 向 ： 英 美 文 學(xué) 研究生姓名 ： 杜 梅 指 導(dǎo)

2、 教 師 ： 盧 敏 完 成 日 期 ： 2 0 1 6 年 5 月 Shanghai Normal University Master of Arts Abstract Abstract Abstract: Marjorie Perloff is a contemporary and modernist critic. S

3、he analyzes Avant-garde poetry through formalistic and cultural approaches. With Avant-garde poetry as major object, this thesis points out two merits in Perloff’s studies by closing reading and comparative reading: (1)

4、the new values discovered in Avant-garde poetry; (2) language game and language in use embodied in Avant-garde poetry. The interrelation of rhythm and meaning makes rhythm an important means of conveying the idea of poet

5、s. Avant-garde, especially language poems, highlights the materiality of language and emphasizes the visual forms of poems. At the same time, rearrangement and recreation of classical works and ready-made productions bec

6、ome another feature of Avant-garde poetry, literary montage. Perloff thinks that language game and language in use provide Avant-garde with new ideas, and context, ordinary language, defamiliarization and anti-traditiona

7、l syntax make Avant-garde poems afresh. This thesis reaches the conclusion based on summarizing the innovation in Perloff’s poetic criticism: language lays the core position in appreciating poems. Both ordinary language

8、and defamiliarized language pursue innovation in poetic language. Avant-garde poets are anti-traditional and they recreate new works by rearranging classical works and ready-made products to increase the charm of poems.